In a time when familiar social conditions are beginning to dissolve, whether through the phenomena of climate change or an unprecedented infectious threat from a relatively harmless yet virtually uncontrollable virus, Pfeifer and Zimmerberger's curatorial concept also responds with a compilation of works that challenge these established norms.

For example, Lola-Anna Pfeifer's multimedia hybrid, a spatial object oscillating between haptics, optics, and acoustics, which plays with the viewer's expectations. Or Gabi Mitterer's color circles and triangles, which transform the artist's highly personal world of experience into something else entirely. Or Irena Eden & Stijn Lernout, who adopt historical perspectives by referencing the famous transformation in Greek mythology between Apollo and Daphne. Likewise, Sula Zimmerberger, who uses various video editing programs to animate and manipulate a contemporary photographic document. This extends to Joanna Schulte's multimedia production with its nostalgic melancholy, offering a fragile glimpse back while simultaneously looking ahead. And Karin Maria Pfeifer, who questions familiar states of being by precisely making the metamorphosis between physical states of matter the subject of her statement.

What's important in all of them are the nuances rather than harmony, the transformation rather than the final state, and the fluid in-between rather than a definite before and after.

With: Duo Irena Eden & Stijn Lernout, Gabi Mitterer, Karin Maria Pfeifer, Lola Pfeifer, Joanna Schulte, Sula Zimmerberger